Revisions

On the Nature of Beauty and Ugliness
Li Deng '10


"On squishing straw sandals, a young woman materialized with her whole faced disfigured by a God-awful pink and piebald burn that started on her neck and stretched in a raw corrugated mass up both cheeks past her eyes! Yossarian could not bear to look, and shuddered. No one would ever love her." Joseph Heller, Catch-22


Try as people might to fight their instinct, it remains nonetheless the cruel reality that ugliness is repulsive. Disfigurement is repulsive. Anything that isn’t healthy and glowing and whole is repulsive. Try as people might to fight their instinct.

I was eating breakfast one morning and sprinkling walnuts on my oatmeal when I thought of an old man who works in a prosthetist’s office, the place where they make artificial limbs for people who haven’t got real ones. The last time I saw him, he had some crumbs of something brown and sticky firmly stuck in the white wisps of his sparse beard. I didn’t want to look at him because that crumby thing bothered me. I wanted to gnaw at my fingers, but I didn’t. Instead, I sat on my hands and felt guilty because he was telling me about how he liked Charles Dickens and how when he was a kid, he woke up one day and all his bones were broken—the explanation for his twisted body and one leg shorter. That was all. No fall off a tree. No childhood disease. No reasonable cause whatsoever. He just woke up one day to a body of broken bones. I didn’t know what to say. I wanted to ask him if he had read A Tale of Two Cities. But I forgot because I was making sympathetic noises instead of words. There was that crumb in his beard, brown and telling against the sour milk wrinkles. And there was the tragic meagerness of the explanation. Charles Dickens is dead.

I volunteered at the Motion Picture and Television Hospital for a month in high school before I got sick and never went back. (I mean, I actually got sick, not that I was sick of the old people, though perhaps that was true too.) I still think about the Motion Picture and Television Hospital these years later, the place where the movie stars disappear to with their golden statuettes when they are old and unwanted. Everything seemed moldy at the hospital even though everything was sterilized, and when you neared the flesh, you could smell the cloying redolence of baby powder—sickening, not fragrant and fresh like it is on babies. The old people at the hospital were depressed or diseased or out of their minds, and so lonely jammed together in their private, curtained cells. They had fluids coming out in all kinds of places, in colors to make you vomit if you looked long enough. Some of them were sweet and grateful if only you nodded your head, feigning comprehension at the incoherent things they mumbled. Some were like children who erupted in rage when you didn’t check their bingo boards fast enough. They coveted the prestigious awards—hairclips, notebooks, things plastic and cheap. One woman screamed at me to go to hell, screamed at everyone to go to hell. She had pain that morphine couldn’t kill, pain that was killing her.

I don’t know why I thought of those things during breakfast. I could feel my mouth going dry and the walnuts crunching like old people’s bones between my teeth. I sat there tired and repulsed, while my breakfast turned to cold sludge, cold and slimy like the bodies of dying people. To dust you shall return.

There was a girl in third grade older than the rest of us, too big for our class. Something was wrong with her. Everyone could tell that something was wrong with her, but you couldn’t put your finger on it because it wasn’t obvious. There were slight anomalies that you discovered one by one—the words that she slurred, the confused looks on her face, the too happy way in which she skipped, awkwardly. We knew in our sharp little minds that she wasn’t quite normal. We even knew, without the vocabulary, that she was sub-normal. Lauren was nice to everyone and she shared her things. I tried to be friends because she didn’t have many, but I looked around first and I was a better friend when we were alone. One day, the teacher was in the middle of saying something when some girl squealed, “Ewww!!” loud enough for everyone to hear. We turned around to see her little accusing finger pointed to Lauren. Something that looked like water was dripping from Lauren’s chair. Already a puddle had formed beneath her and was spreading outward on the floor, pale lemonade yellow and acidic. It was not water. Neither was it lemonade. The class erupted with the tittering of little girls, the insults of little boys, and the squawking of little chairs being rapidly scooted to create distance. I remember that Lauren had raised her hand earlier during class, had been rejected by the impatient command to wait a little, just wait a little! She was alone and sobbing now, her oversized figure bowed over and big fingers covering a crumpled face. The kids shunned her like a leper. No one would sit in her chair for months.

I thought Catch-22 was a hilarious novel when I first started. I practically fell out of my chair during Clevinger’s trial, laughing so hysterically that it was fortunate for me I had no witnesses. I stopped laughing though by the time the book ended. There was reality lurking in the absurd exploits of characters who were all too familiar behind the hyperbole and farce. The girl with the squishy sandals and piebald burn, mutilated and hideous—who would love her? Even children know instinctively to despise the wretched, the way the little girls and boys in Dostoevsky’s The Idiot despised consumption-ridden Marie. They tormented her and pelted her with derision for her illness and poverty until they saw their idiot Prince show love, and only then did their hate turn to compassion. But the hate came first, and more naturally. I have wondered why sickness, deformity, and abjection arouse such great loathing in people, even in those who try to suppress it and children who have not been taught. Perhaps all things unwell reek too ominously of death. To dust you shall return.

I wanted to slap someone, slap someone hard, hard enough to leave a handprint. We were too cruel. At the time, I felt only a sense of embarrassment on Lauren’s behalf, pity because it wasn’t her fault, and relief that it hadn’t been me. Only in retrospect does the anger come too, at the injustice and hurtfulness of the day, anger colored with shame and resignation because there could hardly have been an alternative. The same thing will happen to another Lauren today, and the next day, and the next. And the old people, the old people oozing infirmity and derangement from every wound in their spent bodies—have they any alternative? They began to die the day they were born, and when I found them, they were merely reaching the logical conclusion. What could I do? Slap the world silly and it would still be a world of unwanted people, disintegrating people, people with leftover crumbs in their beards. It is a foolish thought, taking revenge. We are hurting enough as it is.

It’s not only the girls with burned faces who are ugly, or the old people about to die. The great whopper of catch-22’s is that even the beautiful people of the world who radiate relief for our eyes and respite for our pity are hideous too. Turn everyone inside out and we’ll see what Jesus saw—people rotted away by gangrenous sin so foul that external ailments are only shadows and signs. Inside is where death festers and outside is only the smell.

“The night was filled with horrors, and he thought he knew how Christ must have felt as he walked through the world.”2 I wonder what went through Joseph Heller’s head as he wrote that. Did he see the lines on Jesus’ face etched deep from thirty-three years of horrors, the feet calloused and tired? Did he picture the lips parched from speaking and the eyes weary from seeing all there was to see? I wonder sometimes if Jesus ever laughed. Perhaps He did, but the Bible doesn’t mention it. The Bible only speaks of Christ’s grief, Christ’s distress, Christ’s anger, and Christ’s tears for people’s unbelief. There was more evil than good, more to mourn for than to celebrate. To Him of all men, the illness of the fallen world must have been most repugnant. To have known only the communion of Father and Spirit, the consummate love of the Three in One, the adoration of spotless seraphim, and then, to be plunged into darkness, into chaos, into a body of dust! Yet he was the only Man who ever had a choice. [He]made Himself nothing...being born in the likeness of men. It makes no sense.

I get afraid sometimes when I’ve had too long to think. I see people in hospitals who cannot wash themselves, and I dread the day of my dependence. I watch marriages shatter, nightmares come of doors slamming and a figure slumped, alone and shivering. I read of hopeless burn victims, and faces void of human vestige trouble the cavernous haunts of my worry. And the babies—what must Rose of Sharon have felt birthing a dead baby? It’s horrifying to be flesh and blood if you stop and think about it—flesh and blood whimpers, weak and destructible. Can you take an easy breath if you didn’t know that flesh and blood is not all, this life not the last, and this world not the only? Can you take an easy breath if you did not know? And yet, there are times so dark when even we who know crumble to our knees in terror and grope for the indestructible promise. And God Himself will be among them.

But we are in the here and now, we are in the first things, and we need something for the mornings and nights, for both inside and out, something stronger than caffeine and Tylenol. There are the lines on His face, I tell myself, the lines carved in flesh, and wounds that have healed to scars. They are an ointment for the soul. They are a pleasing aroma. They cover the stench we carry. By His scourging we are healed.

He walked first, bravely, and we walk behind Him, tremblingly. We clutch His hand, and know gravely that He sees our terrible disease. “No one would ever love her,” they said, and shunned her like a leper—it’s enough to dam the fragile flowing in us, but thank God they are wrong. He loves us, our Savior Prince; He loves the wretched Marie’s. There are the carved lines that tell us so. Behold…My life for the sheep…a lily of the valleys…to the end of the age.

1 Joseph Heller, Catch-22 (New York: Simon and Schuster, 1989), 383.

2 Ibid., 382.

Scripture taken from: For you are dust, and to dust you shall return. ~Genesis 3:19 (ESV); But made himself nothing, taking the form of a servant, being born in the likeness of men. ~Philippians 2:7 (ESV); And I heard a loud voice from the throne, saying, "Behold, the tabernacle of God is among men, and He will dwell among them, and they shall be His people, and God Himself will be among them. ~Revelation 21:3 (NASB); But He was pierced through for our transgressions, He was crushed for our iniquities; The chastening for our well-being fell upon Him, And by His scourging we are healed. ~Isaiah 53:5 (NASB); And behold, I am with you always, to the end of the age. ~Matthew 28:20 (ESV); I am the good shepherd. I know my own and my own know me, just as the Father knows me and I know the Father; and I lay down my life for the sheep. ~John 10:14-15 (ESV); I am a rose of Sharon, a lily of the valleys. ~Song of Solomon 2:1 (ESV).

 

Li Deng is an undecided major on leave in California. She will return in fall 2006 as a member of the class of 2010.